Document Outline

• Copyright
• Disclaimer
• Improvement Requests
• Regional Contacts
• Part 1: General Workspace
• Part 2: Logging
• Part 3: Browsing
• Part 4: Ingest
• Part 5: Playout – Control Panel
• Part 6: Playout – Playlist Panel
• Part 7: Editing
• Part 8: Editing
• 1. Introduction
  • 1.1 PURPOSE
  • 1.2 MAIN FEATURES
  • 1.3 LIMITATIONS
  • 1.4 OVERVIEW
    • 1.4.1 Opening IPEdit
    • 1.4.2 Resizing the Main Window
    • 1.4.3 Automatic Lock Timeline Function
      • Display
      • Description
      • Automatic Unlock
    • 1.4.4 IPEdit Outline
    • 1.4.5 Activating a Pane in IPEdit
    • 1.4.6 Player
    • 1.4.7 Browser
    • 1.4.8 Timeline
  • 1.5 ASSIGNING THE SHUTTLEPRO TO IPEDIT
• 2. Browser
  • 2.1 INTRODUCTION
    • 2.1.1 Possible Actions
  • 2.2 SEARCHING FOR MEDIA IN THE BROWSER
    • 2.2.1 General Search and Filtering Features
    • 2.2.2 Multi Camera Timecode Filter
      • Description
      • Filter Based on the Position in the Player
      • Filter Based on the Nowline Position in the Timeline
      • How to Use the Multi Camera Filter
• 3. Player
  • 3.1 OVERVIEW OF THE PLAYER PANE
    • Main Functions
    • Various Areas
  • 3.2 ASSIGNING PLAYER CHANNELS TO IPEDIT
    • 3.2.1 Principle
    • 3.2.2 Display
    • 3.2.3 Automatic PGM Assignment
    • 3.2.4 How to Assign Player Channels Manually to IPEdit
  • 3.3 VIDEO DISPLAY
    • 3.3.1 Purpose
    • 3.3.2 Prerequisites
    • 3.3.3 Activation and Deactivation
    • 3.3.4 How to Associate a Video Display to the Player
      • Prerequisite
      • Automatic Association
      • How to Associate Manually a Video Display to the Player in IPEdit
  • 3.4 DISPLAY ON THE TIMELINE ENGINE
  • 3.5 LOADED MEDIA INFORMATION
    • 3.5.1 Lock Icon
      • //
      • Description
      • Control from the Remote Panel
      • Unlock Channels
      • Automatic Lock Timeline Function
        • Display
        • Description
    • 3.5.2 Loaded Media Field
      • Description
      • Shortcut to the Previously Loaded Media
    • 3.5.3 LSM ID Field
      • /
      • Description
    • 3.5.4 Timecode Field
      • /
      • Description
      • Display Mode
    • 3.5.5 Train Name Field
    • 3.5.6 Duration Field
      • When a Clip is Loaded
      • When a Record Train is Loaded
    • 3.5.7 Jog Bar
  • 3.6 TRANSPORT & CREATION FUNCTIONS
    • 3.6.1 Purpose
    • 3.6.2 Button Description
    • 3.6.3 How to Create a Clip Based on the Loaded Media
  • 3.7 TIMELINE EDITING BUTTONS
    • 3.7.1 Purpose
    • 3.7.2 Insert Function
    • 3.7.3 Overwrite Function
    • 3.7.4 Marking the Media to be Added to the Timeline
    • 3.7.5 Match Frame Replace
  • 3.8 PLAYER TRACK SELECTION
    • 3.8.1 Purpose
    • 3.8.2 Tracks Selected When the Media is Added to the Timeline
    • 3.8.3 Possible Audio Configurations
      • Clips with 4 audio mono channels
      • Clips with 8 audio mono channels
    • 3.8.4 Example
  • 3.9 AUDIO MONITORING
    • 3.9.1 Definition
    • 3.9.2 How to Access the Audio Monitoring Parameters
    • 3.9.3 Adjusting the Audio Level Output to the Headphones
      • Where?
      • How?
    • 3.9.4 Assigning the Audio Channels to the Headphones
      • Where?
      • How?
    • 3.9.5 Saving the Audio Monitoring Parameters in a Template
      • Where?
      • How to Create a Template
      • How to Load a Template
      • How to Delete a Template
  • 3.10 LOADING MEDIA ONTO THE PLAYER
    • 3.10.1 General Information
      • Prerequisite
      • Loadable Media
      • Limitations
    • 3.10.2 How to Load Media from the Browser into the Player
    • 3.10.3 Ways to Load Clips
    • 3.10.4 Ways to Load Trains
    • 3.10.5 Ways to Load Logs
    • 3.10.6 Changing the Camera Angle
      • Clip Loaded on the Player
      • Record Train Loaded on the Player
• 4. Timeline
  • 4.1 OVERVIEW OF THE TIMELINE ELEMENTS
    • 4.1.1 Timeline Name and IDs
      • Timeline Name
        • Characteristics
        • Contextual Menu From Field
        • Modifying the Timeline Name
      • Timeline VarID
      • LSM ID
        • Description
        • Example
    • 4.1.2 Timeline Display
      • Description
      • Main Objects in the Timeline Display
      • Timecode Bar
      • Nowline
      • Mark IN /OUT Points
      • Timeline Element
        • Information Displayed
        • Growing Clips
        • Background Colour
      • Lasso Selection Area
    • 4.1.3 Edit Command Bar and General Editing Functions
      • Overview
      • Undo
      • Redo
      • Insert/Overwrite Global Mode
      • Set Timeline Mark IN
      • Set Timeline Mark OUT
      • Mark Current Element Selection
      • Clear Timeline Marks
      • Delete Between Mark IN and Mark OUT
      • Select Elements From (or to) Nowline
      • Add Edit at Nowline Position
      • Extend
      • Extend Slow/Fast
      • Match Frame in Player
      • Clear Mark IN
      • Clear Mark OUT
    • 4.1.4 Transition Effects Bar
      • Add Transition Effect
      • Remove Transition Effect
      • Apply Video/Audio Transition Effect to New Elements
    • Locator Icons
    • 4.1.6 Transport Command Bar and Transport-Related Functions
      • Overview
      • Recue
      • Pause
      • Play
      • Start Replace
      • Create Clip From Timeline
      • Audio Monitoring
      • ON AIR
      • Play Forward (Multispeed)
      • Fast Rewind (Multispeed)
    • 4.1.7 Timecode and Duration Fields
      • Mark IN TC
      • Mark OUT TC
      • Duration between Mark IN and Mark OUT
      • Nowline TC
      • Timeline Duration
    • 4.1.8 Timeline Track Selection Buttons
      • Description
      • Keyboard Shortcuts
    • 4.1.9 Locator/GPI Selection Buttons
    • 4.1.10 Scale Bar and Move Bar
      • Scale Bar
      • Move Bar
    • 4.1.11 Audio Volume Automation, Swap & Mute Buttons
      • Volume Automation Mode
      • Swap / Mute Zoom Mode
      • Mute Button
  • 4.2 TIMELINE MANAGEMENT
    • 4.2.1 Contextual Menu on the Timeline Name Field
    • 4.2.2 Creating a New Timeline
      • How to Create a New Timeline
      • Fields in the Create Timeline Window
        • Left Pane
        • Metadata Pane
    • Converting a Playlist Into a Timeline
      • Principles
      • Conversion Methods
      • Make a Timeline Online Window
      • Conversion Results and Limitations
        • Preserved and Translated Features
        • Unconverted Features
        • Element Conversion to Blank Elements
        • Audio Channel Assignment
    • 4.2.4 Opening a Timeline
      • Introduction
        • Prerequisites
        • Conditions to Fulfil
      • Opening a Timeline by a Drag-and-Drop Action
      • How to Open a Timeline via the LSM ID Field
    • Copying and Moving a Timeline
      • Introduction
      • Fields in the Copy Timeline Window
      • How to Copy or Move a Timeline
      • Errors in Move or Copy Processes
    • Transferring Timelines
      • Destination Types
      • Transfer Types
      • How to Send a Timeline to a Target, Bin or Nearline
  • 4.3 TIMELINE EDITING
    • 4.3.1 Overview of Editing Actions
    • 4.3.2 Overview of Slow Motion Editing
      • Slow Motion Features
      • Super Slow Motion Clips
    • 4.3.3 A/V Material Available for Editing in the Timeline
    • 4.3.4 Growing Clips in Timelines
    • 4.3.5 Contextual Menu on the Timeline Element
  • 4.4 MARKING AND SELECTING TECHNIQUES
    • 4.4.1 Moving the Nowline in the Timeline
    • 4.4.2 Adding Mark IN and Mark OUT points
    • 4.4.3 Selecting and Deselecting Timeline Elements
      • Selection By Clicking
      • Selection With the Lasso
        • Selection/
        • Result
      • Selection Based on the Nowline Position
      • Selection Based on the Recorded Camera Angle
  • 4.5 PLACING MEDIA IN THE TIMELINE
    • 4.5.1 Applicable Principles
      • Minimum Clip Duration
      • Inserted Material Depending on Element Types
      • Availability of Clip Material
      • Availability of Record Train Material
      • Criteria for Element Insertion
      • Name of Timeline Elements
    • 4.5.2 Editing Modes From the Player
      • Insert
        • Example of an Insert Action
      • Overwrite
        • Example of an Overwrite Action
      • Match Frame Replace
    • 4.5.3 Adding Media in Insert or Overwrite via the Keyboard, ShuttlePRO or Player Icons
      • Procedure in the Player
      • Procedure with the ShuttlePRO
      • Track Selection Applied to the Timeline Element
      • Position Applied to the Timeline Element
        • Principle
        • Standard Insert/Overwrite Action
        • 3-Point Edit
        • 4-Point Edit
        • Possible Cases
    • 4.5.4 Adding Media in Insert or Overwrite Using Drag-and-Drop Actions
      • Drag Media from the Player in the Timeline
      • Drag Media from the Browser in the Timeline
      • Dragging Media From other IPDirector Modules
      • Track Selection Applied to the Timeline Element
        • General Principles
        • Possible Cases
        • Automatic Audio Swap in Drag-and-Drop Actions
      • Position Applied to the Timeline Element
        • Principle
        • Possible Cases
    • 4.5.5 Adding Media Using the Match Frame Replace
      • Overview
      • General Rules
        • Track Selection
        • Available Material
      • Replacing Timeline Elements From IN to OUT Points
        • Description
        • Procedure
      • Replacing Timeline Elements From Nowline to OUT Points
        • Description
        • Procedure
      • Replacing Timeline Parts From Mark IN to Mark OUT
        • Description
        • Procedure
    • 4.5.6 Changing the Camera Angle of Timeline Elements
      • Introduction
      • Procedure
    • 4.5.7 Appending a Timeline to the Open Timeline
      • Introduction
      • Procedure
  • 4.6 DELETING ELEMENTS FROM THE TIMELINE
    • 4.6.1 Introduction
    • 4.6.2 Lifting Timeline Elements or Parts of a Timeline
      • Principle
      • How to Lift Elements From a Timeline
        • First Method
        • Second Method
      • How to Lift Media Between the Mark IN and Mark OUT
    • 4.6.3 Extracting Timeline Elements or Parts of a Timeline
      • Principle
      • How to Extract Elements From a Timeline
        • First Method
        • Second Method
      • How to Extract Media Between the Mark IN and Mark OUT
  • 4.7 MOVING ELEMENTS WITHIN THE TIMELINE
    • 4.7.1 Introduction
      • Move in Insert or Overwrite Mode
      • Possible Selections and Moves
      • Magnet Effect
    • 4.7.2 Possible Element Selections and Move Types
      • Possible Element Selections
      • Possible Move Types
    • 4.7.3 How to Move Elements By Drag-and-Drop
    • 4.7.4 How to Move Elements Using the Numeric Pad
    • 4.7.5 How to Move Elements Using the Arrows
  • 4.8 EXTENDING TIMELINE ELEMENTS
    • 4.8.1 Introduction
      • Definition
      • Extend versus Extend Slow/Fast
      • Limits for the Standard Extend
      • Example of Extend
        • After an Extend Action
        • After an Extend Slow/Fast Action
    • 4.8.2 Overview of the Extend Actions
    • 4.8.3 Extending in Insert or Overwrite Mode
      • Before
      • After Extend IN in Insert Mode
      • After Extend IN in Overwrite Mode
    • 4.8.4 Extending OUT in Insert or Overwrite Mode
      • Before
      • After Extend OUT in Insert Mode
      • After Extend OUT in Overwrite Mode
    • 4.8.5 Extending In or OUT in Insert or Overwrite Mode
      • Principles
    • 4.8.6 How to Extend IN or Extend IN Slow/Fast a Timeline Element
    • 4.8.7 How to Extend OUT or Extend OUT Slow/Fast a Timeline Element
  • 4.9 TRIMMING ELEMENTS IN THE TIMELINE
    • 4.9.1 Introduction
      • Definition
      • Example
        • Before the Trim Action
        • During the Trim Action
        • After the Trim Action
    • 4.9.2 Overview of Trim Modes and Trim Actions
    • 4.9.3 Activating and Deactivating the Trim Modes
      • How to Activate the Trim Mode
        • With the Mouse
        • With the Keyboard
        • With the ShuttlePRO
      • How to Exclude or Include Tracks
      • How to Change the Trim Mode
      • How to Activate the Trim Mode on the Next/Previous Transition
        • Principles
        • Procedures
      • How to Leave the Trim Mode
        • With the Mouse
        • With the Keyboard
        • With the ShuttlePRO
    • 4.9.4 Possible Trim Actions
      • Trim Left and Right (Roll)
        • Example: Shift to the left
      • Trim Left in Insert Mode
        • Example: Shift to the left
      • Trim Left in Overwrite Mode
        • Example: Shift to the right
      • Trim Right in Insert Mode
        • Example: Shift to the left
      • Trim Right in Overwrite Mode
        • Example: Shift to the right
    • 4.9.5 Trimming Timeline Elements
      • How to Trim an Element in the User Interface
      • How to Trim an Element Using the Keyboard Shortcuts
      • How to Trim an Element Using the ShuttlePRO
  • 4.10 SLIPPING ELEMENTS IN THE TIMELINE
    • 4.10.1 Overview
      • Definition
      • Limits
      • Methods
      • Example
        • Element Selected for Slipping Action
        • During the Slipping Action
        • Final Situation
    • 4.10.2 Activating and Deactivating the Slip Mode
      • How to Activate the Slip Mode
      • How to Leave the Slip Mode
        • With the Mouse
        • With the Keyboard
    • 4.10.3 How to Slip an Element Using the Mouse
    • 4.10.4 How to Slip an Element Using the Keyboard
    • 4.10.5 How to Slip an Element Using the ShuttlePRO
    • How to Slip an Element by Setting a New Timecode
  • 4.11 SLIDING ELEMENTS IN THE TIMELINE
    • 4.11.1 Overview
      • Definition
      • Limits
      • Restrictions With Slow Motion
      • Example
        • Initial Situation
        • Element Selected for Slipping Action
        • During the Slide Action
        • Final Situation
    • 4.11.2 Activating and Deactivating the Slide Mode
      • How to Activate the Slide Mode
      • How to Leave the Slide Mode
        • With the Mouse
        • With the Keyboard
    • 4.11.3 How to Slide an Element Using the Mouse
    • 4.11.4 How to Slide an Element Using the Keyboard
    • 4.11.5 How to Slide an Element Using the ShuttlePRO
  • 4.12 TRANSITION EFFECTS
    • 4.12.1 Introduction
      • Principles and Limitations
      • Automatic Versus Manual Transition Effects
      • Components to Specify in the Transition Definition
    • 4.12.2 Selection of Transitions and Tracks on Which to Apply the Effects
      • Transition Selectio